Setting Cabachons - Finally!

I think I've been building up to this moment from the time I first picked up a piece of copper wire and started to create. These earrings were in my head...in my creative energy thoughts...and now they are real.

When I bought my last order from "Rio Grande", I decided to poke around a little at the other items. Setting stones in sterling silver bezel cups has been on my mind for a while so I looked at the cups available to buy. I found a great assortment of sizes - 50 cups in all for a really reasonable price so I added them to my cart with a sense of excitement and a bit of nervousness. Now I was almost committed to another creative learning leap!














I did a quick search to find out what kinds of tools I required and discovered I needed a simple and inexpensive burnisher, so I added that to the cart too. I chose three different cabochon selections for my new project: some sleeping beauty turquoise, some garnet (very tiny), and some man-made opal that is really pretty. I knew the turquoise was the first that I would attempt to work with. I placed my order and waited, somewhat less than patiently.

When it arrived about four days later, I tore into the box like it was Christmas, because that's what it felt like. Gifts, lovely gifts. I pulled the new treasures out of the box, admired them, and did what I always do with new creative processes - set them aside. I left them there for about a week, at the back of my bench, just within vision while I waited for the right time. The right time came on the weekend, despite the heat pump in my house being broken so the studio is hot without air conditioning, but the time was there and I was ready so I went ahead.

I selected a piece of sterling silver sheet and marked it out for cutting. I cut it into strips for the earrings I planned to make, using a great pair of scissors I bought locally at "The Rock Hound" in Victoria, BC Canada. Then to the process of filing down the edges to get them nice and smooth, and a good pounding with my little hammer to create the dimpled, organic look I love. Then it was time to get the solder down from the shelf and the torch from the other table, gather up the flux and my cup of water I always have nearby, along with tweezers and a paper towel (kept far away from the torch of course). I turned on the mini slow cooker with the pickling solution for taking off the blackening from the torch process. Then I selected the bezels and got started soldering them to my new silver strips. All went well and they adhered nicely then got a bath in the pickling solution, then off to the tumbler to polish up overnight.

They came out totally shiny but I wasn't about to settle for that! I oxidized them and then polished them with rouge to bring out all the lovely, organic look that you see below. Finally, I added the sleeping turquoise cabochons and used the burnisher to push the sterling bezel side over the cabochon to hold the stones in place and voila! They will get their final photo and posting to the shop later today.

Works in Progress

I thought I'd start out with a view of my studio bench. This is where most of my fabrication takes place, and as you can see, I like to have everything nearby and on hand. It looks a little messy, but oh well, it works for me.

On the bench itself you can see the brick where I like to fuse and solder things, the torch to the left, a big cup of water to dunk things into to cool them off - I don't like to wait - flux, paintbrushes to apply it, small tools, etc. At the back of the bench is the shelf with my metal supply, and to the left, the containers that hold a lot of my beads. What you can't see is the table to the right where I keep my pickle pot, fire extinguisher, oxidizing station, and a bit of clear table space. On the floor is my lap tray where I do finer work that requires no torch. When I'm doing that, I clear off the workbench and put the lap tray on top of the bench. A small operation, really, and I crave a larger space with TONS of work area and a floor I can really dirty up, but it's sufficient and I feel lucky to have it.

I've been a bit mesmerized with fabrication lately - fusing, melting, soldering metals. To the right is a photo of a fusion of my scraps that will eventually become a pendant called "The Boneyard". This is a term commonly used for scrap metal and vehicles and I thought it was a fitting name for this piece. I took a bunch of my leftover pieces, arranged them in a pleasing (to me) way, and applied some flux to them and then lit the torch. The pieces fused to each other, but what I love about it is that you can still see the origins of them - the earwire that didn't quite make it into a design, the wire wrapped end of something, the remnants of sterling left from cutting out guitar picks. The mind can see anything else in there too - I've allowed mine to wander over this piece many times. I oxidized it and polished the forefront pieces to add some depth and contrast. The lighting in this photo doesn't entirely capture it but it's strikingly beautiful in its simplicity. Here is a close up:

Another project I played with was making this unique, organic sterling silver and copper ring. It still needs some finishing and polishing and maybe oxidization in some places. I'll let you know when it's ready to hit the shop. Thanks for reading!